![]() One of the crucial problems in “Willow” is that we see so much of this baby. So already we have the story of Moses, cross-pollinated with “ Snow White and the Seven Dwarfs.” Lucas has a reputation as a student of old legends and folklore, but there is a thin line between that and simply being a student of old movies. ![]() That was to save her from a decree of death dealt out to all girl children by Bavmorda, the vicious queen and sorcerer, who fears her successor has been born. The baby was carried to Willow’s land on a crude raft that was swept along by river waters, but what Willow does not know is that the baby was placed on the raft by her desperate mother. The story: Willow, citizen of the Nelwyns, a race of little people, is chosen by his community to take a baby to a far-off crossroads where she can be found by her people, the Daikinis. Not much really happens, and when it does, its pace is slowed by special effects set pieces that run on too long and seem to be recycled out of earlier movies. And at the story level, “Willow” is turgid and relentlessly predictable. The budget was umpteen million dollars, and Hollywood has been hoping that the Force was definitely with this film.Īlas, even the largest budgets and the most meticulous special effects are only dead weight unless they have a story to make them move. The special effects are by Lucas’s company, Industrial Light and Magic, which has set the standard in such matters. This is a sword-and-sorcery epic produced by George Lucas, whose “Star Wars” portrayed the same kind of material in outer space, and directed by Ron Howard, whose human touch made “Cocoon” one of the best recent science-fiction movies. What was supposed to make “Willow” special was the quality of the production. ![]()
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